Crown Memorial Beach Bathhouse 8 x 16" watercolor in Hand Book Journal Funny how the muse circles back now and then and reminds us of something important. I'd forgotten all about Richard Thorn's video demo that I watched almost three years ago. At the time, I thought it might be a game-changer to use his technique of a very strong pencil drawing (as opposed to the light lines that many artists use) for the framework of a loose watercolor painting. I was all excited about a painting I did using that technique. And then I forgot all about the technique. Until this week. This painting in my sketchbook may not look like much, but it helped me re-see the magic of laying down a strong pencil drawing and then using a freer, looser approach to the painting. My heart sang as I painted this, and it sings again every time I look at the painting. (You'll just have to trust me that this one looks better in person than on the screen.) Since this one I've done two stand-alone paintings that I don't like as well. But that's to be expected. This time, I won't forget about this technique. Thank you, Richard Thorn. |
I was a nineteen-year-old university student when I met Sally, a white-haired, bandana-wearing woman in her sixties. She was pursuing an MFA in painting. She was so exuberant about creating art that she inspired me to decide I would become an artist, too, once I came closer to retirement. Forty years later, it’s time. As I climb an intentional learning curve in art, I share these posts to keep myself accountable. May my efforts inspire others the way Sally inspired me.
Friday, September 15, 2023
It May Not Look Like Much, But...
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More About the Sally Project
I met Sally forty years ago when I was twenty and she was the one in her sixties. I was a waitress at a Howard Johnson’s restaurant on...
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