Big Sur, Again 9" x 12" watercolor and ink Arches 100% hot press paper I have no idea why I'm stuck on this composition of a Big Sur scene. But it felt good to get out the Sailor pen with the calligraphic nib and ink in some lines. I hoped that they would serve as a grounding structure so that I could be more sloppy with the watercolor washes. They did and I was. But the ink feels like training wheels, in a way, and casts the piece into more of an illustration than a watercolor painting. (Nothing against illustration, mind you--there are some wonderful illustrations out there. I just don't intentionally think of myself as an illustrator.) Or it makes me wonder if I need to tackle a new learning curve in printmaking, since, lines tend to figure more prominently in prints--though not always. But again, there's so much to learn with watercolor painting that I'm not sure I want to embrace a new medium just yet. Still trying to find my way. But definitely having fun in the process. |
I was a nineteen-year-old university student when I met Sally, a white-haired, bandana-wearing woman in her sixties. She was pursuing an MFA in painting. She was so exuberant about creating art that she inspired me to decide I would become an artist, too, once I came closer to retirement. Forty years later, it’s time. As I climb an intentional learning curve in art, I share these posts to keep myself accountable. May my efforts inspire others the way Sally inspired me.
Thursday, December 15, 2022
Once More to Big Sur
Subscribe to:
Post Comments (Atom)
More About the Sally Project
I met Sally forty years ago when I was twenty and she was the one in her sixties. I was a waitress at a Howard Johnson’s restaurant on...
No comments:
Post a Comment