Garden Selfie2 10" x 14" watercolor Arches 100% cotton cold press paper Here's another version of a painting I created in June. At the time I wondered if my appreciation of that painting would last. It did. So much that I framed it and gave it away as a housewarming gift--with just a twinge of regret because I felt it might be one of my better paintings yet. I decided to paint it again and work a little harder on working some interesting shapes into the background with negative painting. I achieved that goal, but, alas, the flower itself is more pleasing in the first painting. Plus the first painting has more warmth to it, while this one is colder, darker. Here's the first painting below. See what I mean? So yes, I miss that painting, but I am happy that the friends I gave it to seem to appreciate it. May it lend its warmth to their beautiful new home. |
I was a nineteen-year-old university student when I met Sally, a white-haired, bandana-wearing woman in her sixties. She was pursuing an MFA in painting. She was so exuberant about creating art that she inspired me to decide I would become an artist, too, once I came closer to retirement. Forty years later, it’s time. As I climb an intentional learning curve in art, I share these posts to keep myself accountable. May my efforts inspire others the way Sally inspired me.
Thursday, July 14, 2022
Another Do-Again
Sunday, July 10, 2022
Once More to the Poppy
Matalija Poppy2 10" x 10" watercolor on Arches cold press w/c paper |
In some ways I'm surprised at how similar the paintings are, though I didn't refer at all to any images of the original painting.
I'd like to think the background is richer in the new painting. I watched a couple Youtube videos by Rick Surowicz, whose online class I'll be taking soon. He does some interesting things with negative painting in floral backgrounds that I found useful, especially his technique of adding middle and dark values to suggest structures of leaves, stems, etc., yet without trying to be literal about it. Let the design of the painting emerge from within, he suggests, rather than trying to be so faithful to the photograph. It was fun to get caught up in my own design on the background.
The paintings don't always get better when we create multiple versions of the same basic content, but it seems there is always something to be learned.
More About the Sally Project
I met Sally forty years ago when I was twenty and she was the one in her sixties. I was a waitress at a Howard Johnson’s restaurant on...