Pen/ink and watercolor Stillman and Birn Sketchbook, Beta Series |
I’m still wrestling between wanting to get better at painting realistically
with watercolors vs. wanting to just catch an essence of something with minimal
lines and color. The more I try the realistic approach with careful planning
and layering of paints, the less I enjoy the process—and the more I’m apt to
mess up the composition.
Is this just because I’m relatively new at realism and need to buck up
and climb that steep learning curve even though it is not fun?
Or is it just my inclination and to paint and draw more minimally?
Am I lazy? Or is this just my style?
Am I lazy? Or is this just my style?
If learned how to render a scene perfectly, part of me thinks I would not
as elated as I was when I finished this quick sketch of the palm in my neighborhood. (Or is that a tricky mind trying to keep me trapped in status quo?)
For this sketch I used my new Sailor calligraphy fountain pen with
indelible ink to draw the palm, enjoying the loose strokes and twisting the broad
nib to vary the line widths. I let the ink dry, then put a light wash down for
the sky, then a light wash of yellow for some of the leaves, a sap green/yellow
wash for others, and a little darker blue green wash for the ones in deeper shadow.
Yellow highlights on the brown trunk, and viola.
I’d forgotten all about this painting during a recent three-week trip, but yesterday,
when I opened my sketchbook to this page, it brought me joy.
That's worth something, isn't it?